
A lavish Doric temple, a miniature Parthenon or (even closer) Temple of Hephaestus, this mausoleum manages to convey the two often-conflicting messages “I had good taste” and “I was rich.”



A lavish Doric temple, a miniature Parthenon or (even closer) Temple of Hephaestus, this mausoleum manages to convey the two often-conflicting messages “I had good taste” and “I was rich.”
Another Egyptian mausoleum that hits all the expected marks, except that it is too small (or cheap) for lotus columns. This one, however, adds the delightful detail of pharaoh’s-head door pulls, which more than makes up for the missing columns.
Little smiley characters like the one at upper left occasionally appear on mausoleum doors in Pittsburgh cemeteries. It’s a cheerful little mystery.
A thorough history of the Sunsteins and Speyers is in the Jewish Encyclopedia of Western Pennsylvania.
A monument in a sort of Jewish Romanesque style, with a Star of David worked into the relief. Compare it to the very similar, but explicitly Christian, Jenkins monument in the Homewood Cemetery.
The West View Cemetery is a Jewish cemetery, but negative historical associations did not prevent two of its residents from specifying the popular Egyptian style for their grand mausoleums. This is one of them, built (according to the inscription) in about 1930 by Herman Kamin. It is not as grand as the Egyptian mausoleums in the very richest cemeteries, but it does have fresh palms in the urns, and a fine view of the pyramids from inside.
Mr. Worthington, an oil baron, chose to be buried in an unusual Gothic tower, more castle-like than chapel-like. It is particularly notable for its inscription, which is nearly unique in using quasi-medieval letters on quasi-medieval architecture. (Most Gothic monuments use plain “gothic” characters like the ones used in advertising signs of the era.)
Addendum: The architect was Louis Stevens, who also designed Mr. Worthington’s mansion on Forbes Avenue in Squirrel Hill (now part of Temple Sinai).