A Romanesque cube with an unusual apse in the back. The decorations in relief are particularly fine. The effect would have been better with bronze doors, but bronze doors tend to go missing, and their place has been taken by concrete.
A simplified Celtic cross with more than a whiff of Art Deco; it was probably put up in the 1930s, since the earliest Lockhart here died in 1936. The cemetery’s site attributes the monument to the Campell-Horigan company of Pittsburgh.
A row of Haxes and McCulloughs rests in front of this angel under identical slabs. C. C. Hax died in 1927, and this monument was put up in 1928 (according to the cemetery’s Web site). The Haxes made their money in leather goods and the McCulloughs in electric equipment, so this was what you would call a mixed marriage.
IN MEMORY OF
Who departed this life
August 1st 1832 aged 60
Go home dear friends
And cease from tears.
Here I must lie
Till Christ appears.
W. Savage, Sculptor, Williamsport.
We have seen another pair of tombstones in a similar style in the Bethany Cemetery near Bridgeville: the tombstones of Billingsley Morgan and his (illegible) wife, which were signed by H. Savage. Was H. Savage a brother or other relative of W. Savage? And if “Williamsport” means the only Williamsport Father Pitt knows of in Pennsylvania, then this stone was hauled across the mountains, which must have been quite expensive. Perhaps there was no one in the immediate area who could carve a stone of this quality in 1832—for it certainly is a splendid piece of folk art, well worth the trouble of hauling in from Williamsport. —Update: “Williamsport” was the former name of Monongahela, which is considerably closer than the Williamsport in central Pennsylvania.