Among the windows in the Allegheny Cemetery Mausoleum or “Temple of Memories” are several devoted to famous works of literature and music. This one illustrates Wagner’s Parsifal. The stained glass in the mausoleum was done by the Willet studio of Philadelphia and the Hunt studio of Pittsburgh; Father Pitt does not know which one did this window.
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Parsifal Window, Allegheny Cemetery Mausoleum
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Pilgrim’s Progress Window, Allegheny Cemetery Mausoleum
Among the windows in the Allegheny Cemetery Mausoleum or “Temple of Memories” are several devoted to famous works of literature and music. This one illustrates Bunyan’s Pilgrim’s Progress. The stained glass in the mausoleum was done by the Willet studio of Philadelphia and the Hunt studio of Pittsburgh; Father Pitt does not know which one did this window.
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Allegheny Cemetery Mausoleum
The indoor mausoleum in Allegheny Cemetery was built in 1960 (or 1961, according to the Web site). The architects were Harley and Ellington. It’s now called the “Temple of Memories,” and it’s worth a visit even if you don’t like cemeteries all that much. It’s filled with striking stained glass from the Hunt and Willet studios, and it has a considerable collection of paintings by academic painters of the late nineteenth century that were probably nearly worthless when they were donated, but are coming back into fashion again. But what charms Father Pitt most is that the place is a time machine through which one can enter the early 1960s. Even though it has been expanded since then, the whole mausoleum has an early-1960s atmosphere, complete with appropriate piped-in music. One wanders among the dead feeling more like one of them than like one of the living.
We’ll be seeing a selection of pictures of the stained glass in here over the next few days.
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Stephen Foster Window, Allegheny Cemetery Mausoleum
The Allegheny Cemetery Mausoleum, or “Temple of Memories” (as the cemetery calls it now), was built in 1960. It is filled with stained glass by the Willet studio of Philadelphia and the Hunt studio of Pittsburgh. The two distinct styles are very different, but Father Pitt does not know which is which.
This Stephen Foster window is the centerpiece of the whole first floor of the mausoleum, which is appropriate. Thousands of rich and important people—politicians, robber barons, and even a few honest philanthropists—are buried in Allegheny Cemetery. But the only resident anyone really cares about is Stephen Foster, who made us dance and sing and weep, and died in poverty. (There is also a small cult of Lillian Russell, and Father Pitt would be delighted to see a Lillian Russell window in some future expansion of the mausoleum.)
This window includes something that delighted old Pa Pitt beyond all reason: the only stained-glass representation he has ever seen of a parlor organ.
Camera: Kodak EasyShare Z1485 IS.
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Lewis Grave, Allegheny Cemetery
A certain strain of romanticism is common in monuments of the 1800s, but few go to such extremes of romanticism as this. The profusion of vine-covered vines overwhelms the composition so much that at first it is hard to make any visual sense of the thing. How many different kinds of vines can you identify? Father Pitt finds at least passionflowers, morning glories, and ivy, and the top may be roses, although the erosion makes it hard to tell. If the enormous urn-flower at the foot end came from a vine, it was a vine that wants to eat you.
If there was ever an inscription, it is illegible now; but since the monument occupies a space in the Lewis family plot, we may presume that it belongs to some Lewis or other.
