A marble recording angel whose businesslike attitude suggests to Father Pitt that she is checking boxes on a printed form. There are no inscriptions on the monument and no Bayer grave markers near it, so Father Pitt cannot date it except to say that it looks like the sort of thing that would have been put up in the beginning of the twentieth century. It is even possible that the plot was never used; we have seen examples of families that bought cemetery plots and put up monuments to themselves, and then moved elsewhere.
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Agness Dickson Tombstone, Robinson Run Cemetery
in memory of
Agnesſ Dickson
Who died feb. the 11th A.D.
1799 in the 21ſt year of her
ageIf this stone was cut when Agness Dickson died in 1799, then it is one of the oldest legible grave markers in the Pittsburgh area. Father Pitt is not sure that it was not put up later, however; it could have been cut at the same time as her parents’ stone in 1817.
Robinson Run Cemetery is a fairly large cemetery near McDonald. It includes a fourteen-acre burying ground that obviously goes back to the 1700s, and many interesting tombstones may be seen there.
The work of this stonecutter is distinctly recognizable, and he has left a few other stones in the same graveyard. His most distinctive quirk is his habit of making a lower-case G like a curly number 3. Following our usual custom, therefore, we shall call him the Master of the Curly G.
On this stone he has made use of the long S twice, and in both cases he gets it wrong. He uses it for the second member of the double S in “Agness,” when it should be the first; and he uses it in the ordinal “21st,” but makes it shorter than the T following (it should be longer, since the long S should have the same dimensions as a lower-case F).
Note the spelling “Agness,” by the way, which seems to have been the usual spelling of that name among the early settlers of western Pennsylvania.
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Marta Formoso Monument, St. Mary’s Cemetery, Kennedy Township
St. Mary’s Cemetery, on a steep hill overlooking McKees Rocks, is one of the most ethnically diverse smaller cemeteries we have. It seems to have been shared by several Catholic parishes in McKees Rocks back in the days when Catholics segregated themselves by ethnic heritage. Some parts of the cemetery developed as little ethnic neighborhoods, and you can often tell the ethnicity of the neighborhood by the shapes of the monuments.
Curiously, the Italians and the East Europeans tend to have the same taste in monuments: cross-topped tombstones with gracefully curved shoulders and, frequently, a photograph of the deceased. Some of these pictures have succumbed to the ravages of the elements or vandalism, but a surprising number remain fresh-looking today. Here is a young Italian woman who died at the age of about 22 almost a century ago, and we can still see her face as clearly as if she sat for her portrait yesterday.
Father Pitt was not able to read the whole inscription, which has weathered badly. He was able to make out the name “Marta Formoso” (he is almost certain that the Christian name is not “Maria”) and the dates somethingth of April 1895 and somethingth of March 1917. The epitaph is mostly illegible, except for the words on the right-hand side; something about a flower and being sorrowful and memory. In a different light the rest of the inscription might come to life.
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Moses Coulter Tombstone, Bethany Cemetery
IN MEMORY
OF
MOSES COULTER
who departed this life
Dec 6th 1828 Aged 55 yearsBleſsed are the dead who die in the
Lord they rest from their labours; and
thir [sic] works do follow themBroken in two but otherwise well preserved, this is a very good example of a ledger-type horizontal marker. The epitaph is an abridged version of Revelation 14:13. Note the long S in “Blessed”: although the long S was for all practical purposes extinct in print by the 1820s, it was still taught in handwriting copybooks that the first S in a double-S pair should be a long S.
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Lewis Grave, Allegheny Cemetery
A certain strain of romanticism is common in monuments of the 1800s, but few go to such extremes of romanticism as this. The profusion of vine-covered vines overwhelms the composition so much that at first it is hard to make any visual sense of the thing. How many different kinds of vines can you identify? Father Pitt finds at least passionflowers, morning glories, and ivy, and the top may be roses, although the erosion makes it hard to tell. If the enormous urn-flower at the foot end came from a vine, it was a vine that wants to eat you.
If there was ever an inscription, it is illegible now; but since the monument occupies a space in the Lewis family plot, we may presume that it belongs to some Lewis or other.