Pittsburgh Cemeteries

Pittsburgh Cemeteries

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  • William A. L. Taylor Monument, Homewood Cemetery

    Monuments tell us stories beyond the mere data in the inscriptions. Here we have a monument for William A. L. Taylor and his wife Stella. William died young, at the age of about 38. His wife was about six years younger, so she would be about thirty-two when her husband died. Her death date has not been filled in, but since she was born in 1874 we can be confident that she is not still alive.

    So much we know from the inscription. Now we speculate. How much can we guess from this stone?

    First of all, the missing death date is easy to account for. Stella must have married again. A young widow of thirty-two—one with money, probably, since she was able to give her deceased husband a rather expensive stone—might easily have married and lived fifty years with another husband, if she married soon.

    But we suspect that she did not marry very soon.

    We are fairly confident that Stella, not William, bought this stone. A man of thirty-eight does not expect to die soon. A man of sixty may decide to buy a stone, to be ready when he has need of it, but a man of thirty-eight probably expects to have thirty-eight more years in him. When death came, it was probably unexpected. Therefore the widow bought the stone, and therefore the widow decided to have her own name and birth date placed on it.

    That is nearly equivalent to a vow not to marry again. And it does not surprise us. A woman deprived of her husband at such a young age might well feel she had lost the only love of her life. How could he be replaced? How could she even imagine replacing him?

    We imagine, therefore, that Stella married later—perhaps as a still-attractive young widow of forty, She had had long enough to realize that life continues, and brings wonderful surprises, beyond what she had considered the end of her happiness.

    That is the story we read in this monument. We may be reading it wrong, but it is a good story, and it seems likely.


  • R. T. Carothers Mausoleum, McKeesport and Versailles Cemetery

    Father Pitt would guess that this mausoleum might have originally had a bronze door, which was replaced by the stone in front. If that is so, the replacement is very well and very expensively done, though it does not really match the style of the mausoleum. It is much more delicate than one would expect from a rugged rustic mausoleum like this: the inscription, in particular, clashes with the lettering on the lintel.


  • Soldiers’ and Sailors’ Monument, McKeesport and Versailles Cemetery

    This huge tower of zinc may be the biggest zinc monument in the Pittsburgh area. The zinc monument makers sold statues like these to municipalities all over the country as a relatively inexpensive way to have a very impressive Civil War memorial. Huge though they are, they are built on the same principles as the zinc cemetery monuments offered to ordinary families, with various interchangeable parts that can be mixed and swapped to make any composition you like. This one was donated by the citizens of McKeesport, and it lives up to the monument salesman’s most extravagant claims: here we are, more than a century later, and the thing still looks magnificent.


  • Fifth Avenue Gate, McKeesport and Versailles Cemetery

    The McKeesport and Versailles Cemetery is one of the most picturesque rural cemeteries in the Pittsburgh area. This entrance gate takes us from the mundane and depressed world of downtown McKeesport into a fantasy landscape where all is serenity. What more appropriate way to make the transition than through a gate that is itself a Gothic fantasy, with a gatehouse that looks like something from our favorite book of fairy tales?


  • Redfern Mausoleum, McKeesport and Versailles Cemetery

    Old Pa Pitt loves McKeesport with an unreasoning love. It was once the second city of Allegheny County, and it was the center of its own distinct Mon Valley metropolitan area that was quite different from Pittsburgh culturally, The city had its own traditions, and—what is relevant here—its own architects and artisans. The mausoleums in the McKeesport and Versailles Cemetery, a small but splendid rural cemetery just outside downtown McKeesport, are quite different in style from the ones in Pittsburgh cemeteries.

    Here, for example we have a mausoleum that Father Pitt must confess he cannot really classify. It has the sloping sides and general shape of an Egyptian mausoleum; it has rusticated stone that suggests Romanesque architecture, and columns with medieval capitals; and it has a Chippendale open pediment that suggests the baroque. Yet in this curious mishmash there is no disharmony. It looks the way it ought to look. Father Pitt does not know whether this was the design of a local architect or a mausoleum from a dealer’s stock catalogue, but he does know that he has never seen anything like it in Pittsburgh.


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Pittsburgh Cemeteries

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