A towering Egyptian column with a statue of Hope at the top.
We also have pictures of the Shanor column in winter and summer.
An elaborately Victorian column with a recording angel at the top and statues of Hope and Faith on the lavish base. (We notice the absence of Charity, perhaps because the Rooks decided to take their money with them in the form of this monument.)
Note how the shadow of the angel is moving across the Lewis-Elliott monument behind it. If we wait just a few minutes…
Perfect.
An odd mixture of styles: the base is a sort of medieval-classical fantasy, from which sprouts a column with an Egyptian-style lotus capital, and on that stands an allegorical figure of Hope.
The weathered face of this mourner looks all the more contemplative for the eroded vagueness of her features. The names of the various Pottses are inscribed on a broken column, a common metaphor for death in cemeteries. The various parts of the monument seem to have been ordered separately and with little regard for consistent style; we know from seeing her in other cemeteries that the flower-strewing mourner (whose hands always break off) was a standard catalogue item, and the classical column seems an odd match for the rustic base.