A classic Ionic temple with rusticated walls.
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Hemphill Mausoleum, Homewood Cemetery
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William J. Burns Mausoleum, Calvary Cemetery
A fine temple of the “modern Ionic” order (Ionic columns with the volutes at the four corners) with a large statue of Christ standing above the pediment. It has not escaped festooning with artificial flowers.
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McCluen Mausoleum, Homewood Cemetery
A Renaissance idea of a classical temple, with columns in the “modern Ionic” style—that is, with the volutes on the corners of the capitals. The rusticated stone of the walls makes a pleasing contrast with the smooth columns, doorframe, and pediment.
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Catanzaro Monument, Calvary Cemetery
Perhaps Dan Brown could recommend a Harvard symbologist to unravel the strands of symbolism here. Christ (holding a bouquet of artificial flowers, because he stood still too long in a Catholic cemetery) is stepping down from a ruined Ionic temple, his left hand seeming to gesture toward the ruins behind him, as if he has something to tell us about them. We could say that the ruined temple represents shattered and broken paganism, and Christ shows the way forward. Or perhaps, in spite of the Greek style, the ruins represent the Temple in Jerusalem, where not one stone was left upon another, and Christ emerges fresh from that ancient tradition, stepping forward to bring the real Temple to us.
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Schreiner Mausoleum, Union Dale Cemetery
A large and luxurious classical structure with a prominent cupola topped by a statue of Hope shaking her fist at heaven. At least that is how old Pa Pitt always reads the statue: it is certainly Hope (the anchor is her ID card), and Father Pitt doesn’t know what else to make of the raised-fist salute.
Ornate monograms flank the entrance arch.
