A large and luxurious classical structure with a prominent cupola topped by a statue of Hope shaking her fist at heaven. At least that is how old Pa Pitt always reads the statue: it is certainly Hope (the anchor is her ID card), and Father Pitt doesn’t know what else to make of the raised-fist salute.
Ornate monograms flank the entrance arch.
A simplified Doric mausoleum without entablature or any of the usual fiddly bits. It dates from 1885, but one could be forgiven for supposing it a twentieth-century modernist’s interpretation of classical style.
A simple but elegant Ionic mausoleum, seen here with the much more extravagant Brown pyramid in the background.
A rich-looking Ionic façade with a Victorian profusion of details, including rusticated stone blocks. It seems to have been a stock model; an exact duplicate was built for the Wilson family in the Union Dale Cemetery.
One of the most picturesquely mysterious-looking structures in the city of Pittsburgh: we can imagine it as the setting for an atmospheric scene in an old-fashioned Universal horror movie.
This must have been one of the earliest interments in the cemetery, which opened in 1849, the year Henry Donnelly died. It is perhaps the most striking in-ground mausoleum in Pittsburgh. In the early and middle nineteenth century, these mausoleums cut into a hillside were the usual resting places of the rich; they are most often referred to as “mausoleums,” but sometimes as “vaults,” and perhaps it would be best to use that term, reserving “mausoleum” for a free-standing building. They fell out of favor by the 1870s or so, and proper mausoleums came into fashion.
